That was the new concept the arms or Gun's of August and the right to bear armours or couraças-this fresh and beautiful air, the joy of youngsters of Restelo, that anticipating the future civil war crave for arms and armours, something great happens in Portugal or when things aren't so great, arms and armours are the old reliable thing.
This great idea of him turning the very old regime,with arms and armour and with the old marks is superb.
Gee,the end of the old patriarchal national socialist regime, and the new dinastic one reborn, is a must.
This dinastic one, is perhaps all of the above, a celebration and a refiguration of the pre-rafaelite, pre-modern past,or post-future-past,
based on nostalgia and old lace and arsenic, but it is also a clear sign of the current times and mores, and an implicit commentary on the disenchantment with the present or the present future, something like this.
Its huge dinastic success is both a clear symptom and a result of the current or recurrent
malaise of desencanto and bel-air prince's, and lack of historical memory or excess of historical memory, something like this, or rather, the overwhelming or not so overwhlming but more the leming desire to forget about
the past and construct a new past history best suited to our contemporary mores, dominated by a laissez faire or a fair tale faire
attitude.
The Paul or Paúl explores freely the pleasures of empires and masters and dungeons, or dragons and dungeons, forbidden by the repressive social order (thus the atheistic, masson,
anticlerical, antimilitary and antibourgeois clichés, like the great Ricardo says in economy avec Marx au bon marché, this is reminescent of other Great Masters and Kings, like Louis XIV, Charles V, Philip José farmer, or Filipe the second Emperor in Texarcana Dairy Tales.
And by george this patriarchy with some concessions to feminist ariel and other jihadist's ideas, is sublime by George.
This exploration,of this modern version of the old battle cry of English, by king and "Patria?" England? however, is achieved through the suppresion of the historical true? Thus risking to reduce the
arms and armour to an escapist wish of a foolish fulfilment devoid of a truly subversive value, arms and armour is a colourful, exuberant and lush romantic or bellical comedy, like war and peace, made by a young army deserter being seduced by, the Young king Peter the Great four inche's thick,between the end of the Monarchy and the four feet Proclamation of the Republic by Massons before the bloodshed of the Civil War to put the king on top, great again.
Gee, a living anachronism,allegedly anachronistic artifacts from the year 1891 demonstrate contradictions to this idea.
But the Soviet Empire with a Peter the Great as Czar is a current notion of a nation.
This great idea of him turning the very old regime,with arms and armour and with the old marks is superb.
Gee,the end of the old patriarchal national socialist regime, and the new dinastic one reborn, is a must.
This dinastic one, is perhaps all of the above, a celebration and a refiguration of the pre-rafaelite, pre-modern past,or post-future-past,
based on nostalgia and old lace and arsenic, but it is also a clear sign of the current times and mores, and an implicit commentary on the disenchantment with the present or the present future, something like this.
Its huge dinastic success is both a clear symptom and a result of the current or recurrent
malaise of desencanto and bel-air prince's, and lack of historical memory or excess of historical memory, something like this, or rather, the overwhelming or not so overwhlming but more the leming desire to forget about
the past and construct a new past history best suited to our contemporary mores, dominated by a laissez faire or a fair tale faire
attitude.
The Paul or Paúl explores freely the pleasures of empires and masters and dungeons, or dragons and dungeons, forbidden by the repressive social order (thus the atheistic, masson,
anticlerical, antimilitary and antibourgeois clichés, like the great Ricardo says in economy avec Marx au bon marché, this is reminescent of other Great Masters and Kings, like Louis XIV, Charles V, Philip José farmer, or Filipe the second Emperor in Texarcana Dairy Tales.
And by george this patriarchy with some concessions to feminist ariel and other jihadist's ideas, is sublime by George.
This exploration,of this modern version of the old battle cry of English, by king and "Patria?" England? however, is achieved through the suppresion of the historical true? Thus risking to reduce the
arms and armour to an escapist wish of a foolish fulfilment devoid of a truly subversive value, arms and armour is a colourful, exuberant and lush romantic or bellical comedy, like war and peace, made by a young army deserter being seduced by, the Young king Peter the Great four inche's thick,between the end of the Monarchy and the four feet Proclamation of the Republic by Massons before the bloodshed of the Civil War to put the king on top, great again.
Gee, a living anachronism,allegedly anachronistic artifacts from the year 1891 demonstrate contradictions to this idea.
But the Soviet Empire with a Peter the Great as Czar is a current notion of a nation.
